{"title":"New Arrivals","description":"","products":[{"product_id":"buffet-deux-portes-orme-maison-regain-c1970","title":"Two-Door Sideboard in Solid Elm by Maison Regain, c.1970","description":"\u003cp\u003e\u003cstrong\u003eFrance, c.1970\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 90 x W 133 x D 52 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSolid elm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€2,800\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe doors are made of vertical slats of solid elm held in a wide frame; the handles, two half-moons carved from the solid wood, meet in the centre. The case stands on four square legs that lift it clearly off the floor.\u003c\/p\u003e\u003cp\u003eMaison Regain, based in the Hautes-Alpes, produced from the 1960s to the 1980s solid elm furniture with horizontal lines and softened edges, entrusted to French workshops rather than made in a single factory. Since Dutch elm disease wiped elm from French forests at the end of the 1970s, the body of work is closed.\u003c\/p\u003e\u003cp\u003eInterior with one shelf and two drawers. The piece has been fully restored.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415420637528,"sku":null,"price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-enfilade-orme-regain-01_7edb08ab-17d1-4b92-947c-ed999b416868.jpg?v=1790105134"},{"product_id":"service-a-orangeade-verre-bulle-verrerie-de-biot-c1970","title":"Bubble Glass Orangeade Set by Verrerie de Biot, c.1970","description":"\u003cp\u003e\u003cstrong\u003eFrance, c.1970\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBowl D 25 x H 24 cm; glasses D 9.5 x H 12 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBubble glass\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition, a chip on the ladle\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€400\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA cylindrical bowl with a flared lip, eight short-stemmed glasses and a matching ladle, all in the same smoked glass in which the bubbles are held in regular suspension.\u003c\/p\u003e\u003cp\u003eThe Verrerie de Biot was founded in 1956 by Éloï Monod, a ceramic engineer. The bubble trapped in the glass first appeared as a manufacturing flaw: Monod chose to keep it, then made it the workshop’s signature. Bubble glass has since been one of the few French post-war productions identifiable by its material alone.\u003c\/p\u003e\u003cp\u003eA complete and consistent set — bowl, ladle and eight glasses come from the same production.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415422013784,"sku":null,"price":400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-service-a-punch-1970-01.jpg?v=1788780906"},{"product_id":"lampadaire-pileo-gae-aulenti-artemide-1972","title":"“Pileo” Floor Lamp by Gae Aulenti for Artemide, 1972","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1972\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 132 x W 42 x D 40 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMoulded ABS\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition, yellowing of the plastic; a missing piece at the shade joint\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€8,600\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA cylindrical shaft standing on the floor, topped by an overhanging hemispherical cap that pivots on its axis to direct the light. Two elementary volumes, no visible joints, no ornament.\u003c\/p\u003e\u003cp\u003eIn 1972 Gae Aulenti designed for Artemide a family of three lamps in moulded ABS — the Pileino table lamp, the Mezzo Pileo and the Pileo floor lamp — repeating the same silhouette at three scales. The model belongs to the moment when moulded plastic ceased to be a cheap substitute and became, for Italian manufacturers, a design material in its own right.\u003c\/p\u003e\u003cp\u003eA period example in the floor version, the tallest of the three. Its base bears the manufacturer’s original marking: \u003cem\u003eS.p.A. Artemide Milano — modello Pileo-Mezzo Pileo — design Gae Aulenti — made in Italy\u003c\/em\u003e.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415422046552,"sku":null,"price":8600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-pileo-aulenti-artemide-07.jpg?v=1788780980"},{"product_id":"fauteuil-djinn-olivier-mourgue-airborne-1965","title":"“Djinn” Armchair by Olivier Mourgue for Airborne, 1965","description":"\u003cp\u003e\u003cstrong\u003eFrance, edition c.1970\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 67 x W 67 x D 70 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTubular steel frame, foam and cotton velvet\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€4,500\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA low seat in one piece, with no visible legs or armrests, and a separate shield-shaped back. The bent steel frame and its webbing disappear entirely under the foam: only a continuous silhouette remains.\u003c\/p\u003e\u003cp\u003eOlivier Mourgue designed the Djinn series in 1964-1965 for Airborne. The name refers to the djinns, spirits of Muslim tradition able to change shape. Stanley Kubrick furnished the orbital station of 2001: A Space Odyssey with them, which lastingly fixed the series as the image of the seat of the future. An example is held in the collections of the Centre Pompidou.\u003c\/p\u003e\u003cp\u003eTwo identical armchairs are available, fully reupholstered in Kvadrat cotton velvet. They are sold individually or as a pair.\u003c\/p\u003e\u003cp\u003eThe two-seater sofa from the same series is available separately.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415422079320,"sku":null,"price":4500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-djinn-mourgue-fauteuil-01.jpg?v=1788781069"},{"product_id":"banquette-djinn-deux-places-olivier-mourgue-airborne-1965","title":"“Djinn” Two-Seater Sofa by Olivier Mourgue for Airborne, 1965","description":"\u003cp\u003e\u003cstrong\u003eFrance, edition c.1970\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eH 67 x W 123 x D 70 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTubular steel frame, foam and cotton velvet\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e€7,000\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe two-seater version: the seat runs in one piece over 123 cm, the shield-shaped back stays separate, and nothing of the steel frame or the webbing shows beneath the foam.\u003c\/p\u003e\n\u003cp\u003eOlivier Mourgue conceived the Djinn series in 1964-1965 for Airborne, looking for low, light seats that could be moved with one hand. Stanley Kubrick furnished the orbital station of 2001: A Space Odyssey with them: there, the Djinns play the role of the seat of the future. The armchair from the series has entered the collections of the Centre Pompidou.\u003c\/p\u003e\n\u003cp\u003eFully reupholstered in Kvadrat cotton velvet.\u003c\/p\u003e\n\u003cp\u003eTwo armchairs from the same series are available separately.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415423881560,"sku":null,"price":7000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-djinn-mourgue-canape-01.jpg?v=1788781122"},{"product_id":"fauteuil-karate-ottoman-michel-cadestin-airborne-c1970","title":"“Karaté” Armchair and Ottoman by Michel Cadestin for Airborne, c.1970","description":"\u003cp\u003e\u003cstrong\u003eFrance, c.1970\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArmchair H 95 x W 95 x D 100 cm; ottoman D 74 x H 45 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFibreglass shell, leather\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition, patinated leather, wear to the seat edge\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€5,300\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA shell moulded in one piece, lacquered white, closing into an enveloping back and set on a conical base. Inside, buttoned cushions in black leather. The ottoman repeats the same base and the same buttoning.\u003c\/p\u003e\u003cp\u003eMichel Cadestin, born in 1942, designed the Karaté for Airborne in the early 1970s. The manufacturer from the Landes, which was then producing Olivier Mourgue’s Djinn, here combines a moulded plastic shell with buttoned leather upholstery — two registers that French furniture of those years usually kept apart.\u003c\/p\u003e\u003cp\u003eThe set brings together the armchair and its ottoman, often separated. The leather has taken on its patina, and the wear to the seat edge can be seen in the close-up views.\u003c\/p\u003e\u003cp\u003eIt can be re-dyed by our craftsmen; quote on request.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58415424078168,"sku":null,"price":5300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-karate-cadestin-coque-blanche-01.jpg?v=1788781331"},{"product_id":"miroir-mural-ollo-dalessandro-mendini-pour-museo-alchimia-1988","title":"“Ollo” Wall Mirror by Alessandro Mendini for Museo Alchimia, 1988","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1988\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 160 x W 120 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWood and mirror\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€5,200\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA wide black-and-white chequered frame, edged all round with a yellow crenellation that projects beyond the plane, and topped by a small pennant of the same colour. The mirror itself occupies a central square much smaller than its frame: the function is relegated to the centre, the decoration takes up everything else.\u003c\/p\u003e\u003cp\u003eAlessandro Mendini (1931-2019) is the central figure of Studio Alchimia, a Milanese workshop founded in 1976 that preceded Memphis and set out, before it, the principle of a design freed from function. There Mendini developed “redesign”: taking an ordinary object and covering it with a decoration that shifts its meaning. “Ollo”, designed in 1988, applies this principle to a mirror — the most commonplace object in an interior becomes a graphic surface.\u003c\/p\u003e\u003cp\u003eA piece from a generation of mirrors that Alchimia turned into a manifesto, at a time when the movement had reached maturity. Good condition.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58430238818648,"sku":null,"price":5200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-miroir-damier-01.jpg?v=1789988806"},{"product_id":"assiettes-de-gustibus-dalessandro-mendini-pour-design-memorabilia-2014","title":"“De Gustibus” Plates by Alessandro Mendini for Design Memorabilia, 2014","description":"\u003cp\u003e\u003cstrong\u003eItaly, 2014\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eD 19 x H 2 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCeramic\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExcellent condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€115 each\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eEach plate bears a line drawing of a room, heightened with flat areas of bright colour, and its title handwritten beneath the image. Three are available: \u003cem\u003eStanza selvaggia\u003c\/em\u003e, \u003cem\u003eStanza sensuale\u003c\/em\u003e and \u003cem\u003eStanza meditativa\u003c\/em\u003e. The reverse bears Alessandro Mendini’s printed mark.\u003c\/p\u003e\u003cp\u003eAlessandro Mendini (1931-2019), a figure of Studio Alchimia and later editor of the magazine Domus, never separated the design of objects from drawing itself. The De Gustibus collection, presented at the Triennale Design Museum in Milan in March 2015 and published by Design Memorabilia, shows him at this exercise: four imaginary rooms, four moods, drawn in line like vignettes.\u003c\/p\u003e\u003cp\u003eThe plates are sold separately. They can be drilled for hanging on a wall, a use for which the series was conceived as much as for the table.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58430239015256,"sku":null,"price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-assiettes-decorees-02.jpg?v=1789988849"},{"product_id":"canape-alanda-de-paolo-piva-pour-b-b-italia-annees-1990","title":"“Alanda” Sofa by Paolo Piva for B\u0026B Italia, 1990s","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1990s\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eH 70 x W 220 x D 90 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCognac leather and lacquered steel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e€5,200\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour black lacquered steel legs cross beneath a low base; seat and back cushions in cognac leather, the backs tilting independently of one another to turn the sofa into a daybed.\u003c\/p\u003e\n\u003cp\u003ePaolo Piva, an architect trained in Venice, designed for B\u0026amp;B Italia from the 1970s onwards. The Alanda belongs to this collaboration, at the moment when the manufacturer was looking for low seats with an exposed structure.\u003c\/p\u003e\n\u003cp\u003eVery good condition. The sofa retains its original black lacquered steel base and cognac leather.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527427133784,"sku":null,"price":5200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-canape-cuir-cognac-01_0e39f62d-8190-4daf-93e8-013e41fc3aae.jpg?v=1790105442"},{"product_id":"chaise-vescovina-de-lanfranco-benvenuti-pour-meccani-1985-exemplaire-vert","title":"“Vescovina” Chair by Lanfranco Benvenuti for Meccani, 1985 — green example","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1985\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 111 x W 53 x D 53 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStained ash\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€2,900\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAsh panels assembled flat, a high gabled back pierced with a round eye, two solid sides that serve as armrests. The silhouette quotes the bishop’s throne — vescovo in Italian — hence the name.\u003c\/p\u003e\u003cp\u003eLanfranco Benvenuti (1937-1989) designed it for Meccani Arredamenti, near Pisa, in the Toys Furniture collection. A church seat brought back into domestic furniture: the whole of Italian postmodernism lies in this shift.\u003c\/p\u003e\u003cp\u003eProduced in short series, a handful of examples per finish. This one is in green-stained ash, in good condition; two other finishes, gold and silver, are at the gallery.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527427166552,"sku":null,"price":2900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-trone-01.jpg?v=1789986347"},{"product_id":"claustra-en-aluminium-brosse-perfore-travail-francais-contemporain","title":"Perforated Brushed Stainless Steel Screen, Contemporary French Work","description":"\u003cp\u003e\u003cstrong\u003eFrance, contemporary work\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 207 x W 100 x D 30 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePerforated brushed stainless steel\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€7,500 each\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwo panels of brushed stainless steel, pierced alternately with rounded rectangles and circles. The cut is clean, the pattern regular from edge to edge. Standing on the floor, alone or facing each other, they divide a space without closing it, and act as shelving without a case.\u003c\/p\u003e\u003cp\u003eThe screen belongs to the common repertoire of French architecture of the 1950s and 1960s, when perforated sheet metal entered the domestic vocabulary: Mathieu Matégot named his Rigitulle in 1952.\u003c\/p\u003e\u003cp\u003eBoth partition and bookcase, this screen can stand alone or in a facing pair. Very good condition.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527427199320,"sku":null,"price":7500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-claustra-aluminium-14.jpg?v=1789986475"},{"product_id":"lampe-de-table-dite-transistor-italie-1980","title":"“Transistor” Table Lamp, Italy, 1980","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1980\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 23 x W 27 x D 10 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLacquered wood and metal\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€800\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA horizontal case of wood and metal, lacquered cream, topped by an overhanging blue band that reveals three bare bulbs: lit, the lamp shows its source; unlit, it becomes a closed object again.\u003c\/p\u003e\u003cp\u003eThe form quotes the portable radio, hence the name “transistor” under which the piece circulates on the market.\u003c\/p\u003e\u003cp\u003eTwo-tone lacquer and a postmodern vocabulary, in the Italian taste of the 1980s. Good condition.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527428411736,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-lampe-transistor-01.jpg?v=1789988722"},{"product_id":"suspension-zefiro-de-mario-botta-pour-artemide-1988","title":"“Zefiro” Pendant Light by Mario Botta for Artemide, 1988","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1988\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 100 x W 60 x D 36 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLacquered metal\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€2,800\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA tubular structure in black lacquered metal, stretched like a gibbet, holds at a distance a reflector of curved, perforated sheet metal lacquered white: when lit, the white sheet seems to float alone beneath the ceiling.\u003c\/p\u003e\u003cp\u003eBotta designed the Zefiro for Artemide in 1988; an architect above all, he signed only a handful of lights and treated them as small constructions, a load-bearing frame and a carried element, nothing decorative in between.\u003c\/p\u003e\u003cp\u003eThe diffuser is in white lacquered perforated sheet metal, consistent with documented examples. Good condition.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527428444504,"sku":null,"price":2800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-zephiro-botta-artemide-01.jpg?v=1789988759"},{"product_id":"applique-murale-goutte-cedrimartini-vicence-creation-contemporaine","title":"“Drop” Wall Light by Cedrimartini, Vicenza, Contemporary Work","description":"\u003cp\u003e\u003cstrong\u003eItaly, contemporary work\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 38 x W 220 x D 60 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFibreglass\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€10,400\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwo metres twenty in a single casting, undulating like a stretched drop laid flat against the wall. The wall is thin and the light source runs along its whole length: the light comes from a line rather than a point, and the relief of the moulding makes it vary from one end to the other.\u003c\/p\u003e\u003cp\u003eThe piece bears the metal plate \u003cem\u003eCEDRI MARTINI\u003c\/em\u003e on its edge. Cedrimartini was founded in 2004 in Vicenza, in the Veneto, by Andrea Martini, who came from plastics research, and Rienzo Cedri, an industrial designer trained in jewellery. The house develops its own composite materials and moulds to produce, in very small series or as unique pieces, sculptural furniture and lighting of organic inspiration.\u003c\/p\u003e\u003cp\u003eProduced in a very small series. Very good condition, fully working.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527428477272,"sku":null,"price":10400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-applique-goutte-01.jpg?v=1789988506"},{"product_id":"totem-lumineux-en-acier-laque-italie-1990","title":"Lacquered Steel Light Totem, Italy, 1990","description":"\u003cp\u003e\u003cstrong\u003eItaly, 1990\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 270 x W 40 x D 20 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLacquered steel\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition — two examples available\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€2,300 each\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA column of stacked modules, alternately white and green, standing on a green base. Each module is a box open on one side, housing a bare bulb: the light comes out of the end at five heights, and the column lights up as a sequence of points rather than as a single source.\u003c\/p\u003e\u003cp\u003eThe lacquered steel is treated in flat, frank colours. Totemic column, saturated colour, repeated module: this is the vocabulary that Italian production spread after Memphis, in the decade following 1981.\u003c\/p\u003e\u003cp\u003eGood condition. Two identical examples are available.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527428510040,"sku":null,"price":2300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-totems-01.jpg?v=1789988639"},{"product_id":"miroir-a-sangle-de-cuir-attribue-a-jacques-adnet-france-annees-1960","title":"Leather Strap Mirror Attributed to Jacques Adnet, France, 1960s","description":"\u003cp\u003e\u003cstrong\u003eFrance, 1960s\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eD 45 cm — adjustable height up to 100 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSaddle leather and brass\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAs found\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€800\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA disc of mirror glass ringed with brass, sheathed in saddle leather stitched with coloured thread, hung from a strap that passes through a visible buckle and runs back down the wall.\u003c\/p\u003e\u003cp\u003eDirector of the Compagnie des Arts Français from 1928 to 1959, Jacques Adnet developed from the 1950s onwards a whole vocabulary of metal sheathed in saddle-stitched leather, worked with the Hermès workshops: guéridons, lamps, magazine racks, mirrors.\u003c\/p\u003e\u003cp\u003eThe leather bears the patina of its age; the piece is sold without restoration.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527431819608,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-miroir-sangle-cuir-01.jpg?v=1789988685"},{"product_id":"tapis-geometrique-en-laine-france-c-1970","title":"Geometric Wool Rug, France, c.1970","description":"\u003cp\u003e\u003cstrong\u003eFrance, c.1970\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e160 x 160 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWool\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGood condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€1,400\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA square of wool with a concentric pattern, the frames narrowing towards the centre, in a range of browns and oranges without any break in tone.\u003c\/p\u003e\u003cp\u003eThe concentric pattern in warm tones circulated widely in the 1970s and 1980s, from Scandinavian editions to French designer rugs, by way of North African craft brought back into fashion.\u003c\/p\u003e\u003cp\u003eGood condition. The piece is sold on its own.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58527432016216,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-tapis-geometrique-01_111cb7a9-b06e-457e-8373-76a3138408ba.jpg?v=1789988962"},{"product_id":"lampe-coquillage-de-la-maison-rougier-canada-annees-1970","title":"“Coquillage” Lamp by Maison Rougier, Canada, 1970s","description":"\u003cp\u003e\u003cstrong\u003eCanada, 1970s\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 104 x D 43 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePearlescent methacrylate and brass\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€4,100\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwo shells of pearlescent methacrylate curl into each other around a brass stem, leaving between them the slit through which the light escapes. The material is neither opaque nor transparent: it holds the light and gives it back through its thickness, which gives the lamp almost the same presence unlit as lit.\u003c\/p\u003e\u003cp\u003eRoger Rougier, based in Montreal, founded in the 1970s one of the few workshops to treat acrylic as a sculptural material rather than as a cheap substitute for glass. His lights bear the name of what they evoke — the shell, the tulip: they look for a form before they look for a lighting effect.\u003c\/p\u003e\u003cp\u003eIts 104 cm place it at the limit of a floor lamp: it stands on the floor as well as on a console. Original brass base.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58528578699608,"sku":null,"price":4100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-lampe-coquillage-rougier-01.jpg?v=1789993689"},{"product_id":"console-de-jean-jacques-argueyrolles-france-annees-1990","title":"Console by Jean-Jacques Argueyrolles, France, 1990s","description":"\u003cp\u003e\u003cstrong\u003eFrance, 1990s\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 85 x W 117 x D 35 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWrought iron and gold leaf\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€3,300\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe top is a hammered iron sheet with raw, flame-cut edges, inlaid with two bands of gold leaf. It rests on two gilded spindles tapering to a point, crossed by flat black irons and joined by a curved bar; two arrow-shaped irons descend from the top towards the floor, carrying nothing.\u003c\/p\u003e\u003cp\u003eJean-Jacques Argueyrolles, born in 1954, belongs to the generation of ironworkers who, in the 1980s and 1990s, took wrought iron out of pastiche to treat it as a material to be sculpted. The contrast of rust and gold is his signature.\u003c\/p\u003e\u003cp\u003eForging leaves each example with its own surface accidents: variations in the rust and losses in the gilding belong to the object; they are not defects.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58528578732376,"sku":null,"price":3300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-console-fer-forge-argueyrolles-01.jpg?v=1789993735"},{"product_id":"chaise-sculpture-de-jean-jacques-argueyrolles-france-annees-1990","title":"Sculptural Chair by Jean-Jacques Argueyrolles, France, 1990s","description":"\u003cp\u003e\u003cstrong\u003eFrance, 1990s\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eH 108 x W 47 x D 41 cm — seat height 45 cm\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWrought iron and gold leaf\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVery good condition\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e€2,100\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe back does not continue the seat: it stands apart from it, carried by a single rod, like a piece of armour raised on a stand. Two triangular plates spread out on either side of this rod and end in two curled horns. The seat is a square iron sheet inlaid with gold, on three legs joined by an arc.\u003c\/p\u003e\u003cp\u003eJean-Jacques Argueyrolles, born in 1954, belongs to the generation of ironworkers who, in the 1980s and 1990s, took wrought iron out of pastiche to treat it as a material to be sculpted. His seats belong less to furniture than to statuary.\u003c\/p\u003e\u003cp\u003eThe two faces of the back are not worked in the same way: pitted and gilded on one side, cross-hatched with the chisel on the other. 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The body is pierced with a column of small holes that let the light through in points, while the upper part diffuses it broadly.\u003c\/p\u003e\u003cp\u003eDesigned in 1968 by Cesare Casati and Emanuele Ponzio under the name Studio D.A., the Pillola is one of the objects that brought moulded plastic into Italian furniture: a pill shape, series production, and the idea of being seen in a group rather than singly. It is held in public collections, including that of the Museum of Fine Arts, Houston.\u003c\/p\u003e\u003cp\u003eThis example bears the raised mark “collezione noi — design studio D.A.” under its base. It is offered on its own; the Pillola is often found in series of several examples.\u003c\/p\u003e","brand":"Galerie 90","offers":[{"title":"Default Title","offer_id":58528578830680,"sku":null,"price":3000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/files\/galerie90-pillola-studio-da-01.jpg?v=1789993857"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0374\/9638\/9764\/collections\/DSC01147.jpg?v=1741788807","url":"https:\/\/galerie90.fr\/en\/collections\/new-arrivals.oembed","provider":"Galerie 90","version":"1.0","type":"link"}